gmhTODAY 27 gmhTODAY Aug Sept 2019 | Page 87

A n artist’s creative journey can take many twists and turns through the peaks and valleys of life. Morgan Hill painter Lorna Saiki’s path began with realism, detoured into abstract watercolors, traveled through representational land- scapes in oils and, three years ago, circled back to abstract themes. Reflecting on her life of raising a family, pursuing careers, entering retirement and, amazingly, surviving stage- 4 cancer, Saiki said, “I’ve always been all over the map in my life. It shows in my art.” Born the second of nine children to first-generation Japanese parents in Honolulu, Hawaii, Saiki has found that art is “something I always had in me.” While her father farmed in the cane fields and her mother worked as a seam- stress, her interest in art blossomed with coloring books before she began freehand drawing. “I remember when I was ten years old, my sister’s boy- friend complimented one of my drawings,” she said. “I decided then that art was something I could do.” While continuing to dabble in art, it was mostly set aside for several decades as Saiki worked as a flight attendant for the now defunct Pan American World Airways, a medical services agent for Kaiser, and a client representative for the since-relocated Lohmar Laundry Services in Gilroy. Simultaneously, she married and raised two sons. In 1998, Saiki’s life took a dramatic turn when she was diagnosed with an advanced stage of colon and liver cancer. Over the next several years, she underwent chemotherapy and two major surgeries. In addition to her treatments, she credits a determined optimism and will to survive with her eventual recovery. She briefly returned to work before retiring for good in 2001. GILROY • MORGAN HILL • SAN MARTIN “I had to really dig deep in my subconscious to find calmness during my illness, not knowing if I would survive.” Saiki said. “I apply that same thought process to my art, to paint what I feel inside.” Though she has taken art classes in high school and college, and more recently night courses at Gavilan College, Saiki considers herself mostly self-taught. Starting out as a realist, her night courses steered her to painting abstract watercolors. Then in 2005, when she joined South Valley’s Valle del Sur Art Guild (VDS), she found many of the artists painting landscapes, so she began joining plein air paint-outs, returning to realism. Three year ago, she again returned to abstract painting. “I don’t feel my paintings need to make a ton of sense, it’s more about capturing a feeling with color and shapes with a minimum of detail. Sometimes less is more.” Saiki’s landscapes demonstrate a notable command of light and shadow. Unbeknownst to Saiki, her landscapes can be likened to the Tonalists of the late 19 th century, an American movement with an overall tone of colored atmosphere or mist. Building on that foundation, her more recent abstract treatments spark the imagination with sound composition and interesting hues and shapes that encourage the involvement of the viewer. In 2006, Saiki took first place for her painting of Anderson Reservoir in the Fall Open Juried Show sponsored by Gallery Morgan Hill, and a first place in 2011 for oil media at the VDS Open Juried Show. She has received other ribbons from the Santa Clara County State Fair, VDS and the City of Gilroy. For more information visit the Valle del Sur Art Guild website. august/september 2019 gmhtoday.com 87